so yesterday i had my first piano lesson in 37 years (ie my teacher wasn’t born when i had my last one): i went in VERY butterfly-stomachy — and came out combination buzzed&psyched, bcz it was AWESOME. Here’s why:
i: i like the teacher very much (he also teaches my niece, aged 6).
ii: we concentrated on basically two phrases — less than two lines — of one piece:
Where Pokémon Blue delighted in technology, Pokémon Silver sinks into history. After being given your starter Pokémon, your Pokedex and your mission, you walk into the deep woods of Johto and encounter in quick succession a tower built around an ancient, giant Pokémon; 1500-year old ruins filled with strange carvings and an entire race of enigmatic beings, and a well whose significance to its local village dates back four centuries. In that village lives Kurt, master of the art of Apricorn carving, a skill that predates the Poke Balls you use. Like the great trunk of Sprout Tower, the Pokémon world is putting down roots.
We’re just trying to shake out some gremlins on the FT server. The beautiful FT appearance will be restored as soon as possible
UPDATE 10:20pm: The FT appearance will be back very shortly, though the usual login problems persist I’m afraid
UPDATE 7th August 7:20pm: IT LIVES! We have comment forms and polls and other stuff back.
We know there have been some serious issues recently with the login and comment system. The main ones being:
- Logins not working (or not appearing to work)
- Comments not showing up
Both of these are down to caching issues, and we’re working to resolve them with our current hosts or find a different solution. In the meantime, our apologies.
If you can’t get your login to work, try clicking on another post – it sometimes shows up after that. If it still doesn’t work, you should also be able to post comments unlogged.
If your comments don’t immediately show up, this is likely a result of the caching issues. Wait 10 minutes before reposting.
Sorry once again for the hassle – the comments are really important and we are hoping we can get everything sorted out again before too long.
On the 18th June 2014, I took to the stage (a very small stage, but a stage nonetheless) as part of Geek Show Off to publicly declare my love for all things wrestling. I could have talked for nine minutes on so many aspects of grappling but focussed my attention on another passion of mine: Andy Kaufman. So, here’s what I had to say before a sold out London crowd: 28th July 1982 changed professional wrestling forever. That was the day that the undisputed Intergender Wrestling Champion, Andy Kaufman, laid in to the undisputed babyface of the Memphis territory, Jerry ‘The King’ Lawler, on nationwide American television. ‘The Late Show with David Letterman’ was drawing 10-15 million viewers in its early years so this was the biggest single event to happen in the world of professional wrestling since 1976 when Muhammed Ali fought Japanese wrestler Antonio Inoki in Tokyo – but that’s a whole other story. However, it seems we’ve joined this tale mid-way. Let’s go back to the beginning.
Its usage in the pinnacle of BBC light entertainment aside – what a record this is! The drum intro is played on the side of a rusty water tank. The noisy brass squawks like Pingu angrily trying to shoo geese off his lawn. The piano is straight out of a Chas’n’Dave pub knees-up, and the end of each chorus line is punctuated by Cher Lloyd’s grandma (subs check this) going ‘Ugh!’ All Shaggy himself needs to do is drawl along for the ride: sleazy, cheesy – easy peasy!
The Levi’s advert that propelled this to #1 has stuck in the memory for many: our hero takes on Pingu’s claymation form, effortlessly pulling motorbike stunts to save the damsel in distress from a burning building. The animated city itself has a similar feel to the spoof-robot-noir of Dick Spanner, as does our greaser’s chiseled chin.
Even the visual jokes are there: the roast pigeons coming back to roost on the telegraph line are exactly as subtle than the giant illuminated “SAVE ELECTRICITY” sign in Spanner’s metropolis. The advert is only a minute long, but still manages to cram in a number of other gags that would have been edited out of Police Squad for being too obvious – a firehose full of holes, a firefighter toasting a sausage on the flames, an oblivious nose-picking kid as one of the bystanders (which incldes someone wearing a Santa outfit for some reason?) and of course, finishing on a toilet joke.
The official video unfortunately contains none of these elements. Hence this can only be the third best song of all time! I wonder what could be at top spot?
SPOILERS AHEAD! A glimpse now into Popular’s gleaming but dystopian future, i.e. the first half of 2014′s number ones, ranked from best to worst based on how much I liked them when I played them just now. No marks, obviously, but consider this a hostage to future fortune. Assuming I get that far. But how could I not with so many bittersweet deep house tracks to write about?
1. DUKE DUMONT – “I Got U (Radio Edit)”: My favourite iteration of the year’s signature sound – wonderful poise in the vocal (#Justice4KelliLeigh!) and the backing is gorgeous. Why isn’t all pop like this right now OH WAIT HOLD ON
Sometimes you’re reading a book for purely aimless diversion and it strikes you that someone — some book-burrowing Arne Saknussemm — was there before you. I can’t really claim that C.S. Lewis ever read Donald S.Johnson’s Phantom Islands of the Atlantic: the Legends of Seven Lands that Never Were (since he died some three decades before its 1994 publication), but I am morally certain he had visited some of Johnson’s sources, long before Johnson.
Well, friends – here we are at the end of the series. Most of the loose ends have been tied up, and I take back last week’s grumble regarding frustrating cliff-hangers. For the most part, I’ve been vastly impressed by the showrunners’ interpretation of A Song Of Ice And Fire, particularly their ability to condense hundreds of pages, axe dozens of characters, change fairly significant details and still remain totally loyal to the best parts of the plot. I still find this show highly problematic and wish some things had been done differently, but I don’t think it’s necessary or wise to flog a dead Dothraki horse. The Children provided resolution to the major story arcs, sent nearly everyone across their own personal Rubicons, and looked frigging impressive while doing so.