Despite the fact that I haven’t listened to an actual, physical CD in many years, a select few hold an almost talismanic power over me. Unfortunately, after various flat-decantings over the years, my once-alphabetised CD collection has become consi[…]

There comes an inevitable moment during every long, pointless passion project when a person begins to seriously question why it seemed like such a good idea. I passed this point during the first lockdown, when, like many others, I was both fascinated[…]

On 5 May 2017, I took another step into my fifth decade. The celebrations began with a massive brunch, the centrepiece of which was a ridiculous freakshake, because 2017. Then I met some of my chums in the pub and then had another restaurant meal for[…]

During the acute phase of the pandemic last year, I noticed quite a few demo albums were dropping into my Spotify feed. As much as I enjoy partaking in a kind of VH1 Behind the Music-style history lesson, I’m sure it was a direct result of musician[…]

I’ve been especially drawn to instrumentals of late; I’m certain that this is because I haven’t worked in an open-plan office for well over a year and can easily listen to music uninterrupted for nearly the whole of my working day. Lyrics mean […]

Omar Rodríguez-López song and album titles are some of the very best in existence, and it really doesn’t get much better than Gorilla Preacher Cartel. According to an early release schedule*, this was revised from the originally proposed Scrapyar[…]

Since the beginning of his solo career, song reworkings and rearrangements have appeared frequently across Omar Rodríguez-López’s oeuvre. Samples and sequences recur on most of his electronic music, and many of the spacey instrumentals that featu[…]

Lately, the weather has been seesawing wildly through various meteorological events over the course of any given day, as is oft springtime’s wont. These icy, azure early mornings remind me of the Blind Worms, Pious Swine cover. Of course, the buds […]

To suggest that delivering three albums over a twelve-month period indicates a slow year would normally be ridiculous, but for Omar Rodríguez-López fans, 2012 probably felt a bit like an old-timey cowboy actor (i.e. Slim Pickens). To give this a b[…]

Unlike several other Omar Rodríguez-López albums, the contents of A Lovejoy are accurately reflected by its cover. The bright colours, glitzy lights and disco font signpost a collection of infectiously catchy dance tracks, so despite the name, ther[…]