Posts from April 2022

3
Apr 22

Omargeddon #29: Xenophanes

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Despite the fact that I haven’t listened to an actual, physical CD in many years, a select few hold an almost talismanic power over me. Unfortunately, after various flat-decantings over the years, my once-alphabetised CD collection has become considerably un-Kondo-ed; after the last one, I realised to my dismay that I cannot currently locate Old Money. This is fine; I’ve bought it from Bandcamp because of the very real possibility that it might randomly vanish off Spotify, but I did a little cry anyway. I hate losing shit, and I wouldn’t have donated it to the chazza, so it must be some-fucking-where, and I really need to know where it is, dammit! 

It also happens to be part of what I consider to be the musical holy trinity of Omar Rodríguez-López albums: Old Money, Cryptomnesia, and Xenophanes. They have a particularly cherished place in my heart because they were the first ORL solo albums I ever heard and marked the beginning of my ongoing love affair with his music. It’s also worth noting that all three were gifts from top-quality human and my partner-in-silliness, Glynnis. 

I’ve been dying to gas on about Xenophanes since I started this project but found myself continually kicking it into the long grass. Like Cryptomnesia, this is another Mars Volta-down-another-pant-leg-of-the-Trousers-of-Time album (even Thomas Pridgen, who was the Mars Volta’s drummer at the time, assumed he was recording for that band). Also like Cryptomnesia, it’s very dense, with layers I’m still parsing through after more than a decade. But I hadn’t realised until fairly recently that it’s also a concept album. And what a concept!