Posts from March 2021
24
Mar 21
WILL YOUNG – “Leave Right Now”
Eg White, the songwriter on “Leave Right Now”, had an intriguing half-career out in the far suburbs of British pop. His album as part of Eg And Alice, 24 Years Of Hunger, has quietly acquired cult status; it’s sophisticated but erratic. Like Daniel Bedingfield, White was a young songwriter trying on his inspirations for size (at one point there’s an unexpected but exciting stab at Remain In Light era David Byrne). Released into a world too earthy and raucous for it, it made no impression – I remember the cassette of it in Our Price sale after sale, forever ignored.
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17
Mar 21
Omargeddon #19: Blind Worms, Pious Swine
Lately, the weather has been seesawing wildly through various meteorological events over the course of any given d
ay, as is oft springtime’s wont. These icy, azure early mornings remind me of the Blind Worms, Pious Swine cover. Of course, the buds bursting into bloom on the trees will produce only boring-ass leaves rather than animal / human heads, like whatever this feather-becapped person is studying quizzically. Are they thinking, “Hey, I think I know that dude!” or “Do donkeys normally grow on trees?” It’s a dilly of a pickle!
The cover also challenges my sporadic synaesthesia in that although the cover feels cold, the actual music sounds warm. The first half is made up of punchy, indie-pop songs that all clock in at under four minutes; the second half is an instrumental prog-lite piece spanning four songs. The two genres might seem like an odd juxtaposition, but the two halves blend together via a gradually intensifying bassline which builds up to a crescendo set up by the magic of Omar Rodriguez-Lopez and Teri Gender Bender’s shared vocals.
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