Posts from August 2019

23
Aug 19

DJ SAMMY & YANOU ft DO – “Heaven”

Popular7 comments • 418 views

#940, 9th November 2002

Before writing this entry I scoured the Internet to see if DJ Sammy had ever said or done anything interesting. I drew a blank. He’s the model of a jobbing Euro-DJ, lucky enough to get one big break in his 30-year career and canny enough to ride it. In the most recent interview I could find, an Australian journalist asks him if he’s bringing any new material to tour Down Under? Yes, he replies, a new remix of “Heaven”.

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18
Aug 19

Omargeddon #10: Despair

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2009 was a prolific year for Omar Rodriguez-Lopez, with a total of six albums released. Cryptomnesia and Xenophanes are comprised of material that was originally intended for the Mars Volta but took a left turn at Albuquerque. Solar Gambling features the magnificent Ximena Sariñana on vocals, as do three of the five songs on the live album Los Sueños de un Hígado. Megaritual is a glorious exercise in trippy jamming, recorded in Amsterdam with longtime Volta member/even longer time brother Marcel.

And then there’s Despair.

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17
Aug 19

NELLY ft KELLY ROWLAND – “Dilemma”

Popular25 comments • 1,964 views

#939, 26th October 2002

Nelly spent some of the year before his second LP dropped in a beef with the perennially grumpy KRS-One. The feud was not a dignified one. KRS-One called out pop-rap in general, Nelly took it personally, spent a summer trying to goad KRS into a response, finally succeeded (“You the first old man to get a rappers pension / No hits since the cordless mic invention”) and was rewarded by KRS-One calling for a ‘boycott’ of Nellyville.

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8
Aug 19

Great News For All Our Readers!

Popular17 comments • 865 views

Hello Popular readers!

After sixteen years, and suffering from (as you’ll have noticed) a much slower posting rate, I’ve come to a decision.

I’m going to crowdfund this project, using Patreon. HERE’S THE LINK. This coincides with me leaving my day job and going solo, which opens up a lot of spare time. But billable time being money in the freelance world, I want to be able to devote time to Popular, and Patreon is a way to do that. It’s not a perfect platfornm – what is? – but I’ve been able to set up tiers and goals which I think might appeal to people who like my work.

Very importantly, if you decide not to contribute, nothing will change – Popular will still appear here, on Freaky Trigger, and hopefully a lot more regularly than it has done recently.

UPDATE: We’ve already reached the point at which I am happy to guarantee 4 entries a month – I am enormously grateful and delighted by how quickly this has happened and how much support this funding initiative has had. Thanks, you lovely lot.

If you DO become a patron, you’ll get early access to main entries, very early access to certain other entries, and exclusive access to some other exciting things. THAT LINK AGAIN.

Whether you join up or not, it’ll mean more Popular, sooner, and I hope you agree that’s something to celebrate!

And finally, other fantastic FT contributors have Patreons of their own which also deserve your support! Mark S is creating podcasts and articles around the topic of his excellent book, A Hidden Landscape Once A Week and Hazel is crowdfunding her motorsport journalism by dishing the (some) dirt on a Patreon.

4
Aug 19

Omargeddon #9: Zen Thrills

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There are some musicians whose stage presence is so powerful, it creates a visual tunnel around them, making it nigh on impossible to pay attention to anyone else. Cedric Bixler-Zavala has it with his slinky salsa moves and microphone swinging. Jack White has it with his cryptic un-banter and towering stature. And Teri Gender Bender of Le Butcherettes has it in spades. The combination of her frenetic dancing and piercing stare with the sheer volume of her voice nearly swallows the room regardless of venue size. She’s mesmerising and slightly terrifying. I love her.

I’ve only been to two gigs this year, both of them blinders and both of them Le Butcherettes. I’ve seen them a few times before as opening acts, so I knew to expect fiercely intense performances, and I was not disappointed. Each time I brought friends who hadn’t seen them before and, as I’d hoped, each time left with new fans. The set lists drew from across their four albums, and whilst there has definitely been a progression from raw, garagey rock to a sleeker, tighter sound, the fury and passion has, if anything, been ramped even more. Maybe this is because year on year, there’s so much more to be pissed off about or because the recent shows I’ve attended have been in more intimate venues. Either way, they were exhilaratingly life-affirming.

Teri and Omar Rodriguez-Lopez have been collaborating for several years now; she
provides backup and lead vocals on many of his solo albums, including Zen Thrills. Although three songs revisit previously recorded material, the flavour is very TGB, and I’m guessing she wrote the lyrics, as this seems to be the case for other releases where ORL doesn’t sing. Listened to out of context, you might mistake some of them for Le Butcherettes tunes, and this is a very fine thing indeed.

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