Posts from 2019

19
Mar 19

Album-A-Day #7: To The Finland Station

New York London Paris MunichPost a comment • 2 views

This is a document of my album-a-day listening project. Each entry originally comes out as a tinyletter and subscribers to that get framing content and non-music miscellanea as well as the LP reviews. When a new letter goes out, the previous letter goes up here.

This instalment’s LPs:

#42 Ruusut – Ruusut (2018)
#43 Bbymutha – The Bastard Tape, Vol 1 (2018)
#44 Hama – Houmeissa (2019)
#45 Hauschka – A Different Forest (2019)
#46 Onyx Collective – Lower East Suite Parts 1-3 (2017-8)
#47 Silk Road Assassins – State Of Ruin (2019)
#48 Queen Latifah – All Hail The Queen (1989)

I listen to quite a lot of Finnish music. Why did I start doing this? I couldn’t tell you. I like Finland, certainly, its temperature, its mordancy, its taciturn people, neither overly friendly nor hostile. Perhaps it’s just a Moomin thing. I have come to very much enjoy how the Finnish language – famously knotty to learn – sounds, with all its soft vowels and sibilants. But since I don’t understand any, that might just be habit.

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5
Mar 19

Album-A-Day #6: Twilight Of The Dads

New York London Paris Munich2 comments • 181 views

This is a document of my album-a-day listening project. Each entry originally comes out as a tinyletter and subscribers to that get framing content and non-music miscellanea as well as the LP reviews. When a new letter goes out, the previous letter goes up here.

This instalment’s LPs:

#35 Sylvester – Step II (1979)
#36 Yusef Lateef – Psychicemotus (1966)
#37 James Ingram – It’s Your Night (1983)
#38 Julie London – Julie Is Her Name (1955)
#39 Isao Tomita – Kosmos (1978)
#40 Various Artists – A Day In The Life: Impressions Of Pepper (2018)
#41 Zadig The Jasp – In The Reflect Of The Sky (2018)

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17
Feb 19

Omargeddon #7: Solar Gambling

FTPost a comment • 57 views

Since I started the Omargeddon project, I’ve been paying less overt attention to new music, both new-to-me and newly released material. In fact, my sole contribution to the FT Readers’ Poll was Janelle Monae’s “Pynk”, totally forgetting about the divine “The Way You Make Me Feel” despite nominating Dirty Computer as my album pick. This year, I’m making a concerted effort to be more aware of new tunes and have started a 2019 playlist to help me keep track. For the most part, I’ll be using Spotify’s Release Radar playlist to facilitate this. I usually listen to it at least once a week, and it’s been the source of several new musical discoveries, even more so than the Discover Weekly playlist. Discover Weekly too often labours under the delusion that I want a mix of metal and weedy indie tracks liberally sprinkled with artists I already know about and thus don’t need to discover. That’s not to say Release Radar doesn’t bring up its dud track – apparently since I nostalgically listened to You’ve Come a Long Way, Baby approximately eighteen months ago, it thinks I need a Fatboy Slim remix every single goddamn week. I do wonder how the algorithm susses out what to give me – did I get “Alpha Centauri” by We Are Impala because it’s given me Tame Impala before or because of the At the Drive-In song of the same name? I also had “Bread & Butter” by Horsey, though my feelings about it tend towards “neigh”.

However, I was super chuffed to get Ximena Sariñana’s new single “Lo Bailado”, a cheery tune that injected much-needed warmth into the playlist. It also reminded me that initially I was a bit hesitant about her vocal input to late noughties/early teens Omar Rodriguez-Lopez albums. With the Mars Volta still extant and producing music, I found it difficult at the time not to wonder how Cedric Bixler-Zavala would have sounded in her place.

Solar Gambling is the first Omar Rodriguez-Lopez solo release with Ximena providing lyrics and vocals. It was one of his six albums released in 2009, and at the time, it wasn’t a particular favourite. I didn’t actively dislike it, streaming it from the Rodriguez Lopez Productions website often enough for me to recognise quite a few of the songs when I began listening to it again more earnestly. Up until around this point in his discography, vocals tended to serve as more of a supporting role, and even with the Mars Volta, the music was written first with CBZ composing lyrics and vocal melodies to fit around it. Solar Gambling reverses this trend, with Ximena’s vocals front and centre to the supporting music.

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15
Feb 19

Album-A-Day #5: Tarkus In Black Vinyl, Please

New York London Paris Munich2 comments • 219 views

This is a document of my album-a-day listening project. Each entry originally comes out as a tinyletter and subscribers to that get framing content and non-music miscellanea as well as the LP reviews. When a new letter goes out, the previous letter goes up here.

Here’s what I listened to for this edition:

#28: Deena Abdelwahed – Khonnar (2018)
#29: Trevor Horn – Trevor Horn Reimagines The Eighties (2019)
#30: Drebae – Babyboy (2018)
#31: Shmu – Lead Me To The Glow (2018)
#32: Nadia Struiwigh – WHRRu (2018)
#33: Busted – Half Way There (2019)
#34: Half Man Half Biscuit – No One Cares About Your Creative Hub So Get Your Fuckin Hedge Cut (2018)

Let’s move through these from the abstract to the definite. One thing these listening projects have taught me is how many excellent female electronic producers there are working now. When I first listened to and read about dance music they were rare, or presented to us as rare. A novelty-hungry algorithm is better at bringing them to light than curators are – same goes for rappers, I suspect.

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4
Feb 19

The Freaky Trigger Movie Poll 2018: #10 – #1

Do You See + FT2 comments • 644 views

And here it is, after leaving a slightly longer gap than hoped – the Freaky Trigger Top Ten movies of the year. Firstly, before anyone says anything, Paddington 2 came out in 2017 (and was number 40 in last years poll you idiots who left it two months before you saw it). Secondly it was a lot closer at the top end than it has been for a long time. Whilst the winner still had plenty of votes on number two, the top three were all – at some stage of the voting – in the lead.

Anyway the gap left time for plenty of speculation which I think named nearly all of these, though maybe not in this order…

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3
Feb 19

Album-A-Day #4: A Postcard From Dead Charn

New York London Paris Munich2 comments • 191 views

This is a document of my album-a-day listening project. Each entry originally comes out as a tinyletter and subscribers to that get framing content and non-music miscellanea as well as the LP reviews. When a new letter goes out, the previous letter goes up here.

Here’s what I listened to for this edition:

#20 The B-52s – The B-52s (1979)
#21 Art Taylor – A.T.’s Delight (1960)
#22 Madeline Kenney – Perfect Shapes (2018)
#23 Maggie Rogers – Heard It In A Past Life (2019)
#24 James Ferraro – Four Pieces For Mirai (2018)
#25 Dawn Richard – new breed (2019)
#26 Barmy Army – The English Disease (1989)
#27 Shinichi Atobe – Heat (2018
)

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29
Jan 19

Album-A-Day #3: Dwellers Under The Stove

New York London Paris MunichPost a comment • 136 views

This is a document of my album-a-day listening project. Each entry originally comes out as a tinyletter and subscribers to that get intros and miscellanea as well as the LP reviews. When a new letter goes out, the previous letter goes up here. A fine arrangement!

This week’s new to me LPs:

#13: Laura Nyro – Eli And The Thirteenth Confession (1968)
#14: Space Africa – Somewhere Decent To Live (2018)
#15: Dexter Gordon – Go! (1962)
#16: Junglepussy – JP3 (2018)
#17: Helena Hauff – Qualm (2018)
#18: Jackie McLean – Capuchin Swing (1960)
#19: Main Source – Breaking Atoms (1991)

Where and when you listen to new music is a critical variable in this sort of project. It could never be a set of balanced or considered reviews, because then what about a week like this? One where music was pushed to the crepuscular margins, listened to (for the most part) at low volume, late at night, aiming for the right balance between immersive and inobtrusive.

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23
Jan 19

The Freaky Trigger Readers’ Poll 2018: #10-#1

FT12 comments • 621 views

“Bonjour dudes, it’s me, the Lascaux Cave Paintings, specifically the one where a bull with a spear through its arse is goring a bloke to death while a chicken on a stick looks the other way. Thanks to my 17,000 years of experience in human culture I’ve been asked to introduce your ‘Déclencheur Bizarre‘ top songs of 2018, which I’d imagine to be similar in tone and lyrical content to the neolithic ditties my creators hummed as they daubed a mixture of blood, mud, iron oxide, charcoal and ochre into the shapes of animals they depended on for survival and revered as primitive gods. Unfortunately when I was opened up to the public in 1948, exposure to the elements caused layers of fungus and lichen to develop on my walls, so I’m a bit sourd in one ear now. Nevertheless as the test of time is the only true measure of artistic achievement, I can safely say that the pinnacle of cultural content is a massive bull with a spear through its arse, goring a bloke to death while a chicken on a stick looks the other way. Ed Sheeran needs to pull his socks up if he’s going to compete with this bad boy.”

Thanks Monsieur Taureau Rouge! Ed does feature below (sort of) but I’m not sure he’d be happy about it. Let’s have a look at the Top 10.

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21
Jan 19

Album-A-Day 2019 #2: Hello Pork Pie Hat

New York London Paris Munich1 comment • 212 views

This is a document of my album-a-day listening project. Each entry originally comes out as a tinyletter and subscribers to that get intros and miscellanea as well as the LP reviews. When a new letter goes out, the previous letter goes up here. A fine arrangement!

This week’s new-to-me LPs:

#6: Ariana Grande – Sweetener (2018)
#7: Rico Nasty – Nasty (2018)
#8: Lester Young – Blue Lester (compilation; 1956 according to Spotify…)
#9: Oliver Coates – Shelley’s On Zenn-La (2018)
#10: Kacey Musgraves – Golden Hour (2018)
#11: Noname – Room 25 (2018)
#12: Oliver Nelson – Skull Session (1975)

Mostly catching up on new records, but the most important listening I did all week was on Tuesday night, after a battering day on professional and personal fronts, when I put on Lester Young’s Blue Lester compilation. It was exactly what I needed – one of those precious moments when the music you reach for and the mood you’re in match precisely, without you even realising they would. The languid sax lines, nosing around familiar tunes, wandering out into unfamiliar ones, had a remarkably powerful effect on me. “Take it easy”, the music seemed to say, “You can cope. It’s going to be OK.” I fell asleep to it.

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17
Jan 19

Wiki-illiams Quizz 2018. Round 18

FT7 comments • 130 views

(Well done, we made it to the end…)

During 2018:

1 Which NCO is 2nd class?

2 Whence the theft of items of the Vasa regalia?

3 Which circumnavigator has been inspired by Verne?

4 Which unique avian species has been released on Loch Fad?

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