Posts from August 2018

Aug 18

how not to write about jazz, probably

FT + Hidden Landscapes2 comments • 1,125 views

[This post originally went up at my PATREON: subscribers get to read posts and hear podcasts early — and help offset costs and time and help me do more of this kind of thing. Please share widely and encourage participation in the comments!]

A week or three back, my old ilxor pal Kerr put up a list of jazz genres on FB and asked his followers who could define them. And bcz we’re dicks, we gave him a dusty answer (mine, in full, was “I can!”). We played mean games; we suggested he google. And so he did — fair play — and of course the joke was on us, bcz the results (wikipedia!) were terrible, full of error and sententious assumption. Some true claims — especially in the endless lists — mixed in with much confused nonsense and (wikipedia!) inapposite citation.

My dusty answer wasn’t just about being a dick: Kerr’s question had landed right on top of something that’s bothered me for decades. Which is why people often write so badly about jazz — including people who know a lot about it (a lot more than me anyway). They can get the facts right — the chords, the analysis — but then miss the point. They write well about the players’ lives and character, and about the feel. But when they write about what the musicians actually think they’re doing, and think about what they’re doing, it all goes cock-eyed and dull — as if being fully conversant with musical technique and terminology acts as some kind of huge mental block.


Aug 18

Omargeddon #3: Octopus Kool Aid

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It would be inaccurate to say Octopus Kool Aid passed me by, but by the time I learned of its existence, I was too depressed about The Mars Volta’s breakup and too ready to blame this album for causing it. It’s only been recently that I’ve taken the time to appreciate its impact on Omar’s music.

Octopus Kool Aid features lyrics and vocals by Teri Gender Bender of Le Butcherettes, and working with her on this album reawakened Omar’s appreciation for true collaboration. Somewhere along the line, they formed Bosnian Rainbows. Omar decided to put The Mars Volta on hiatus to focus on recording and touring with his shiny new side project. This royally cheesed off Cedric Bixler-Zavala; the two of them snipped bitchily at one another via social media, which was both unfortunate and deeply awkward. TMV’s hiatus became an official break-up in early 2013, and there didn’t appear to be any going back. Cedric’s subtweet “What am I suppose [sic] to do be some progressive house wife that’s cool with watching their partner go fuck other bands? We owe it 2 fans to tour” makes me cringe-laugh, but it’s clear that he felt betrayed personally and on behalf of Volta fans.


Aug 18

Incoming Content!

FTPost a comment • 193 views

Hello everyone!

This is just to say that the Pop World Cup and Popular will be back in September*. Thanks for waiting and huge apologies for disappearing – family health and work issues have taken their toll (again).

*very possibly before! But I’m not going to promise anything earlier.