Posts from May 2018

31
May 18

no longer a debate? lennon’s REVOLUTIONS 50 years on

FT + Hidden Landscapes8 comments • 296 views

[This post originally went up at my PATREON: subscribers get to read posts and hear podcasts early — and help offset costs and time and help me do more of this kind of thing]

“The blues are beautiful because it’s simpler and because it’s real. It’s not perverted or thought about: It’s not a concept, it is a chair; not a design for a chair but the first chair. The chair is for sitting on, not for looking at or being appreciated. You sit on that music.” (John Lennon to Jann Wenner, 21 January 1971)

lennon fistWhen Jack Hutton quit Melody Maker in 1970, to set up what became Sounds, he told Richard Williams, who stayed behind, that it would be a “left-wing Melody Maker”. Hutton’s no longer with us, so I suppose if I get the chance I’ll have to ask Williams one day what exactly was meant by “left-wing” here. My guess — based on what Sounds actually turned out like — is that Hutton meant the new paper would be centred on rock. Even though both papers covered rock and pop and everything else, MM’s moral centre was arguably still jazz at that point. Even though the jazz fan-base always had a left-wing in the UK, with old-school communists solid among its supporters and chroniclers, it was a music (or so many seemed to feel) whose time was past. Rock was new and rock was now, the very voice of youth — but beyond this, rock had had, for a while by then, a tangled relationship with politics, radical left politics in particular.

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21
May 18

the invisible dandy: scribbled farewell notes on TOM WOLFE

Hidden Landscapes2 comments • 99 views

[This post originally went up at my PATREON: subscribers get to read posts and hear podcasts early — and help offset costs and time and help me do more of this kind of thing]

kandy koloredYou only have to read the titles and the trend-naming — ‘Tiny Mummies’, the Tycoon of Teen, Radical Chic, From Bauhaus to Our House, the Me Generation, The Right Stuff — to see, instantly, that there was something here. Like some motormouth manager promoting the new pop group he was making famous and secretly ripping off, he had the liveliest huckster’s imagination. Here was a energy that made thing happen: Wolfe watched and listened and took notes and got inside heads — some heads — and when he got back to the page, delivered an intensely vivid cartoon sketch of a scene, sound effects in place among capitals, italics, dots, dashes and exclamation marks, the main narration often broadcast as if from behind the eyes of its participants, an inner-monologue ventriloquism that enabled the writer subtly to imply unreliability or even foolishness in a scenester.

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14
May 18

other jacksons in your house

Hidden Landscapes18 comments • 1,587 views

… or how when we made Morrissey we made him bad

[This post originally went up at my PATREON: subscribers get to read posts and hear podcasts early — and help offset costs and time and help me do more of this kind of thing]

panic | hang the DJA bitter office quarrel — the so-called the ‘HipHop Wars’ — had been making life at the NME miserable from some time. At issue was the current and future direction of the paper — how to give the readers what they wanted to read, week on week, while staying abreast of music’s future trends — so when the Smiths released ‘Panic’ in late 1986, it crystallised everything. “Hang the DJ!” sang Morrissey: “Burn down the disco!” Those who cared for black music at all — future and past — were appalled: to them it was very clear who this talk of burning and hanging was aimed at. His supporters scrambled for a less ugly reading: not that kind of DJ! Not those discos! Much was made of Steve Wright following a news report about Chernobyl with a Wham! song. Concluding statement for the defence: He’s not anti black musicians, he’s anti bland music — and that goes for us all, surely?

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10
May 18

SUGABABES – “Round Round”

Popular19 comments • 2,004 views

#933, 24th August 2002

sugaround Xenomania – the songwriting and production team on “Round Round”, led by Miranda Cooper and Brian Higgins – defined 00s British pop, at least in the eyes of chart-friendly critics. Their magpie approach to genre, their patchwork song structures, their knack for a resonant line, all added up to music that wore its artfulness and populism with equal pride. If you believed that pop was worth celebrating, Xenomania provided gift-wrapped proof.

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The Inaugural FreakyTrigger TV Poll: #12 – #1

Do You See + FT5 comments • 484 views

hqdefault“Hi, I’m the Ghost Of The 1979 ITV Strike, and I am here to resurrect and complete the somewhat delayed (due to strikes probably) Freaky Trigger TV Poll. Imagine if you can the landscape of 1979 British television. Three channels, BBC1, BBC2 and ITV – and then suddenly one of those channels being off. Its like a third of your choice taken away. Because it is. Up and down the country member of ACTT (Association of Cinematograph, Television and Allied Technicians) withdrew their labour in a pay dispute for three months, leaving in most places this blue title card to be displayed. Which still got more viewers than much of BBC2. Anyway it was a fun time I can tell you and a civilised picket the likes of which British TV has barely seen since. And given the option of the twelve shows below or a blue title card what would you watch. (Doctor Who’s Planet Of Death was the answer in my day – interesting to see that is still going.)”

Thanks, Ghost Of A TV Strike, and huge apologies for the delay in the publishing of this. If I do it next year I may get help… But in the meantime here is the top twelve:

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8
May 18

HIDDEN LANDSCAPES: THE PODCAST

Hidden Landscapes1 comment • 172 views

Three episodes are now up: Hazel Southwell and Mark Sinker talking through the story of the UK music press from two very different angles (bcz I am old and she is not), to help start the conversation around my upcoming book.

pod 1: the pilot!
pod 2: uh merry memories of the nme!
pod 3: the ins and outs of PUNK ROCK

If you’re enjoying it, please subscribe to our PATREON, to help cover soundcloud costs and admin, and help us put aside the fortnightly time to make it as good as we’d like it! Also please point people in our direction if you think they’d enjoy it. I’m also blogging there every week: essays now up on MORRISSEY and why his bigotry wasn’t seen sooner and challenged harder in the 80s, on the late TOM WOLFE, and how the music press ran with his ideas, and how JOHN LENNON AND YOKO ONO‘s interaction with the radical political press of the early 70s fed into the end of rock and the start of post-punk, and so on and so forth…

Plus here is the book’s COVER courtesy SAVAGE PENCIL — due out end of July (UK) and end of August (US)!

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