Posts from August 2015

16
Aug 15

ATOMIC KITTEN – “Whole Again”

Popular51 comments • 4,140 views

#890, 10th February 2001

atommick kitan For former stars, a swing back to the separation of singer and songwriter made British pop a land of second chances. 90s and 00s number ones are sprinkled with semi-familiar names – Cathy Dennis, Guy Chambers, and now Andy McLuskey, who went further than most. A conceptualist with OMD, and a believer in electronic pop, his involvement with Atomic Kitten merged the two. Under his management, the Kittens would be a tween-friendly girl group but also a pragmatic – cynical, even – application of what he’d learned in two decades in pop.

10
Aug 15

LIMP BIZKIT – “Rollin’ (Air Raid Vehicle)”

Popular115 comments • 6,028 views

#889, 27th January 2001

Bizkit “Take my advice,” says Fred Durst on “My Generation”, “you don’t want to step into a big pile of shit.” Wise words. But shit comes in many forms. The spoor of Durst, the self-styled chocolate starfish, the anus, is compacted nuggets of resentment, pinched out rabbit-style in single form, delivered with a constipated grunt or haemorrhoidal yelp. Wes Borland, in skullpaint and bodystocking a guitar-FX Eno to Durst’s reverse Ferry, takes a contrasting approach, conjuring torrents of colonic sludge, shitrush splatter effects and bowl-cracking divebombs. In the parade of number ones, between a career-building film star and a girl group’s last-chance classicism, “Rollin’ (Air Raid Vehicle)” is more than a surprise, it’s a dirty protest. Back up, tell me what you’re gonna do now! Grit my teeth, reach for the imodium.

9
Aug 15

JENNIFER LOPEZ – “Love Don’t Cost A Thing”

Popular38 comments • 2,633 views

#888, 20th January 2001

jlo love Every era of pop has artists who work as a kind of fossil record – they may never put their name behind a great single, but their career is a useful indicator of pop’s shifting baselines and aesthetic whims. A track by them will tell you more about its year than any of its more idiosyncratic, or better, peers. J-Lo, I’d say, is one of these performers. If that seems unfair, it might be because her skills run a lot wider than music. In fact the main thing that sets Jennifer Lopez apart is how versatile she is – she’s shifted between film star, pop star (in Anglo and Latin markets), and TV personality and done solidly well at all of them. You can imagine a number of already-famous women deciding, at 30, that they’d like to get into music. But wanting is easier than doing. For J-Lo to fit so smoothly into millennial pop’s identity parade when her peers were far younger and with fewer built-up associations suggests unusual dexterity.