Posts from 6th January 2011

6
Jan 11

No One Man Should Have All That Klout

FT9 comments • 560 views

The social media bits of the Twittersphere I read have been very approving of an AdAge piece this week by Matthew Creamer. Creamer lays into the firm Klout, who peddle a metric of how influential someone is based on the Twitter activity surrounding them. In a press release issued at the end of the year, Klout announced that the most influential person on the web, the sole individual to receive their perfect score of 100 in influence terms, was…. Justin Bieber.

Cue a predictable storm.

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NARNIA WEEK: What’s So Scary About Extra Teeth?

Do You See14 comments • 1,572 views

As the resident Freakytrigger fearologist, I can no longer hold my fire on the most insidious trend of monster movies of the last twenty years. It is OK when a few late night shockers tumble down this line, but when even a Narnia film tiptoes into this area of excess, I have to make myself heard. In Voyage Of The Dawn Treader, in the big final battle, the crew come up against a sea serpent. A pretty well realised sea serpent, peril levels were actively high for this bit. Big, slobbery and bitey, I was rather impressed with how this effect came out. And then the serpent had to go and open up ITS ENTIRE BODY to reveal some sort of chitinous extra sets of mouths, legs and a whole mess of needless rubbish. I must speak up. And when I speak I open my mouth and what’s inside BUT ANOTHER EVEN SCARIER MOUTH.

We all know who to blame.

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Freaky Trigger Readers Poll 2010: 22-12

FT18 comments • 692 views

Another 11 of your Top However-Many-It-Is-Now, bringing us into the Top 20 in the poll.

22. KANYE WEST – “Power”: While I’ve waned and waxed on some of the Kanye tracks, this bit of unashamed art-rock is one which I think I like more every play. This is, of course, the “video portrait” so for the full track go to Spotify (which I will update, I promise!)

21. ARIEL PINK’S HAUNTED GRAFFITI – “Round And Round”: Diffuse soft-rockin’ stylings which managed to scoop Pitchfork’s track of the year. The main hook doesn’t land until just after 2 minutes in. I ended up playing this a lot while never being quite convinced it worked, so it’s obviously got something, but….

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