This is a series of posts “liveblogging” the Pitchfork 500, reflecting the book’s dual purpose as criticism and playlist. The ground rule is that I do the writing in real time as I listen to the music: no edits after that (except of typos). Posts in this series are intermittent, because I don’t have a lot of uninterrupted writing time.
Disclaimer: I write regularly for Pitchfork and contributed a dozen pieces to the book. I have no insider knowledge of how tracks were selected, had no say in the selection, and any commentary on the book’s purpose etc. is purely speculative.
In this episode: A series of post-punk splinters, conceptual artists make good, and the birth of New Pop more »