1 Jan 2003
101. THE CHEMICAL BROTHERS – ‘My Elastic Eye’: ‘It sounds exactly like an elastic eye!’ said Fred S. I scoffed, but you know what? – it does! Though maybe more a clockwork one – but the wobbly fuzz-bass still sounds like it’s looking, even probing the track for something. Every music-box noise here is luxurious […]
22 Jan 2009
This is a graph – done by anatol_merklich off the Poptimists LiveJournal community, so massive thanks to him – showing the number of new entries in the UK singles chart for each year from 1952 to the present.
11 Jan 2016
I wrote a thing for here about David Bowie and how I felt about him and what he meant to me, but then Pitchfork kindly decided they wanted to run it, so it’s below. (Original title: He Could Be Dead, He Could Be Not, He Could Be You). And to any other good pieces I […]
23 Mar 2014
#773, 13th September 1997 “Whenever we played that live there would be rows of grown men crying. It was almost like these guys couldn’t cry when they needed to cry, but that song operated like a pressure valve for them and it was okay for them to cry at a big rock concert.” – Richard […]
9 Jul 2002
Andrew WK: I Get Wet: Pitchfork Review: Remarkable write-up of the Andrew WK album from Ryan Schrieber, Pitchforkmedia’s editor-in-chief. Remarkable because it gets Andrew WK’s music so descriptively right – “Nothing could penetrate a sound that dense. I was overcome. I tried to remember the last time anyone dared to push rock so poppily over […]
2 Jan 2001
On Skykicking last week, Tim touched, popwise, on the continuing cultural battle over what the eighties were or are or mean or meant. The story of mainstream rock and politics in the 1990s was among other things the story of a similar battle, that time over the sixties. On the one hand you had the […]
10 Jul 2017
#924, 4th May 2002 At The Disco A scene from Phonogram III: The Immaterial Girl, by Gillen, McKelvie and Wilson, published in 2015. It’s the early 00s, at a disco somewhere in the south of England. A group of people who love music so much it’s become their life and the tools of their craft […]
20 Jul 2007
I semi-remember just two lines from the NME’s (Charlie Shaar Murray’s?) review of “Armed Forces” (secret unused title “Emotional Fascism”). One was that one of the other songs resembled ELP “jamming in the bottom of an oil drum”! The other — more germane to this post, as well as being true — is that “with […]
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