Archives – 1999 – October  
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49. SAINT ETIENNE – “I Was Born On Christmas Day”
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Tom Ewing’s Top 100 Singles Of The 90s
The clocks go back and the nights start to pull in around you. It’s dark when you get to work and dark when you leave, so you start to feel that wintry melancholia nipping at your edges, and you star[…]

50. BLUR – “Girls And Boys”
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Tom Ewing’s Top 100 Singles Of The 90s
It was one of those stardust radio moments, the kind the thing was invented for: in my kitchen, 1994, and the room filling up with the most dynamic pop I’d ever heard, the hammering music finely bala[…]

MESSTHETICS: The Beta Band – The Beta Band
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Why? The Beta Band is the most troublesome record of 1999 – its makers disown it, its few disciples adore it, a whole lot of people hate it, and a whole lot more like me just don’t know what to make of it, but keep playing it anyway. Whil[…]

51. THE SUNDAYS – “Goodbye”
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Tom Ewing’s Top 100 Singles Of The 90s
A synthesis, but what a synthesis: the plummy ballerina swoop of Kate Bush, the exotic drift of Liz Fraser, and – the real genius touch – the sensible suburban pleasantness of a hundred Sarah R[…]

1977
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8 October 1999, London
No pop in this record collection: 1977 is billed as a trip through 22 years of “music and anarchy”, part club, part gig, part showcase for organisers Satellite Records. Sounds like a good night out – sounds li[…]

52. TRICKY – “Tricky Kid”
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Tom Ewing’s Top 100 Singles Of The 90s
Paranoid android: Tricky’s voice here is a mechanical, throaty burr, counterpointed by capering, maddened howls and shrieks. The beat, choppy and tense, whips him along, goading him into telling his […]

53. PALACE BROTHERS – “Come In”
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Tom Ewing’s Top 100 Singles Of The 90s
It was raining, and I’d just been dumped – good time to get into the Palace Brothers, I reckoned. “Come In”, An Arrow’s lead track, did the business: a minor miracle of econom[…]

54. THE VERVE – “History”
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Tom Ewing’s Top 100 Singles Of The 90s
‘Hero Rock’ someone called it, and the name stuck for a while – a big, brainwashing chorus in front of a lumbering unrock rhythm section and gussied up by liberal use of the hired orchest[…]

55. BLACKSTREET – “No Diggity”
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Tom Ewing’s Top 100 Singles Of The 90s
Your ears are a commodity, Teddy Riley just bought them up. “No Diggity” is first of all capitalism in its slinkiest form, in every sense classy. A hymn to money, sex, upward mobility, “N[…]

56. KIRK LAKE/JACK – “Five Finger Discount”
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Tom Ewing’s Top 100 Singles Of The 90s
You find your pleasures unexpectedly. I listened to this single because I was working with Kirk Lake in a bookshop at the time and thought the title was kind of cheeky, all things considered. Wasn’t […]

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