Archives – 1999 – August  
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97. BEATS INTERNATIONAL – “Dub Be Good To Me”
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Tom Ewing’s Top 100 Singles of the 90s 
“When they kick on your front door, how you gonna come?” – The Clash’s most palatable, punch-drunk track, Guns Of Brixton, still full of absurd backs-against-the-wallisms but slun[…]

98. FLYING SAUCER ATTACK – “Sally Free And Easy”
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Tom Ewing’s Top 100 Singles of the 90s 
A cover of a forgotten fifties folk tune, “Sally Free And Easy” is the track that makes explicit Flying Saucer Attack’s romantic purpose, tightly drawing the strings together which conn[…]

99. THE INVISIBL SKRATCH PIKLZ vs Da Klamz Uv Deth
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Tom Ewing’s Top 100 Singles Of The 90s
What you hear is not a test – the Invisibl Skratch Piklz are junkyard jazz, the perfectly po-mo sound of pop culture in meltdown. One of the great ear-boggling pop statements, Vs Da Klamz Uv Deth is […]

100. METALHEADZ – “Terminator”
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Tom Ewing’s Top 100 Singles of the 90s
“You’re talking about things I haven’t done yet!” You and anybody else. Terminator is a record that gets ahead of itself, hurled back from some pure-war future to explode into 1992,[…]

Not A Pope Factory Review: The Critic As Neurotic
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Ingratitude: a key critical quality I’d not much previously thought about, until I got the new CD by Toronto’s Pope Factory through the post. Standing dressing-gowned and bleary-eyed in the hallway of my parents’ house, slimly omino[…]

HAPPY LIKE POP STARS: The Auteurs – How I Learned To Love The Bootboys
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England under the knife: the second great British pop album of 1999 is a sick and bruised twin of the first. XTC’s Apple Venus painted England as a rustic, mystic utopia, where lives find rest and satisfaction in changeless countryside ritual. […]

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  2. No offense taken! I don't have the ego to have alarms about myself. I do, still, have sufficient fondness for…